VIDI deals with the ambiguity of social phenomena. In this diary I examine through drawings and writing how those phenomena oscillates between contradictory meanings: What is important here is not only the motif, but also the medium of the diary. It allows me to work with fragments, repetitions, and breaks that create an open network instead of a closed narrative. VIDI consists of single pages, each 18 x 13 cm. In this form, drawings, handwritten notes, and blank spaces combine to form a structure that is neither purely private nor completely public, but moves somewhere in between. The result is a work that not only addresses ambiguity, but also methodically explores it: in terms of content through the concept of the phenomena, and in terms of form through the practice of the diary.

Boundaries structure and unsettle at the same time. They mark belonging but also exclusion. In my work I explore this term as permeable zones where transitions, negotiations, and ruptures become visible.

The Island appears both as a place of retreat and of isolation. It mirrors societal tensions: digital filter bubbles, ecological threat, national seclusion. In my drawings it becomes a figure of thought for multiplicity of meaning.

Between fire and water emerges a field of tension that allows no resolution. Destruction and renewal, energy and stillness exist side by side. This suspension interests me as a space for new interpretations.

Obstacles both block and open. They slow down, disrupt, and generate detours. In my work they become productive resistances that enable new perspectives.